Author: syd

  • FWC Credenza

    FWC Credenza

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    My client, Far West Capital, came to me asking me to build a credenza to match a conference table I had made for them earlier this year out of Rosewood and Walnut. My first thought was that the form should be simple and understated so it doesn’t take away from the conference table. Rosewood is a dominant wood that overpowers almost everything so it’s best to let the wood speak out and keep everything else simple. I also loved the way the white inlays helped outline and accent the dark timbers so I made that my sole design focus. What I ended up with is a design that’s very refined and exquisite not because of the forms or shapes but because of the details and the natural beauty of the wood.

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    The doors, drawers, and side panels are ‘raised’ panels with the rosewood panel sticking proud of the walnut frame. The raised panel is used often in traditional furniture and a solid piece of wood, beveled to fit inside a frame. With this piece, I raised the panel but kept the edges square and crisp. This creates a three dimensionality to the panels while keeping the the square and rectangular feel of the credenza. And with the use of a thin inlay, the final effect is more modern than traditional.

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    The interiors are made of Cherry. I chose a contrasting wood because I find it pleasant to see a light interior whenever a person opens up a dark cabinet. Traditionally, this was done because most houses had poor lighting. When the interior is lighter, it makes it easier for people to find what they’re looking for. I’ve kept the inlays going even on the inside panels of the cabinet even though it’s not visible unless you open the doors. I believe every area needs just as much attention as the rest of the piece.

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    The drawers are made of hard maple and they are joined with hand cut dovetails. Hand cut dovetails are becoming a rarity. It takes time to cut dovetails by hand, all your tools need to be super sharp and well tuned up, and it takes a lot of practice to get the skill. Machine cut dovetails are great for mass production since they’re faster to cut and takes less skill, but I’m a firm believer that hand cut dovetails are far superior and worth the extra effort and time. When you cut dovetails by hand, you can make the pins as small as the thickness of your saw blade on your handsaw. The smallest pins you can have on machine cut dovetails is limited to how small the router bit is (1/4″). Also, there’s much more freedom in the layout of the dovetails when you cut them by hand. You’re not limited to what the router jig is capable of, and the setup time for getting the dovetails exactly the way you want on the jig offsets the extra time it takes to hand cut dovetails. So at the end of the day, machine cut dovetails look too uniform and if I’m being perfectly honest, just plain boring. Even dovetails deserve the attention of proportions- not just whatever’s easiest.

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  • Far West Capital Conference Table

    Far West Capital Conference Table

    FWC Conference TableAfter seeing the conference table I had built for Arts + Labor, my client wanted a table with the same level of impressiveness. He told me that upon walking into the Arts + Labor conference room, he was immediately struck by the conference table. He couldn’t pin point what had made it special, just that it left him wanting one like it. “I want a table that stands out.”

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    Now, Far West Capital is a rapidly growing financial company that specializes in giving loans to small businesses. More on what they do at http://www.farwestcap.com/. To me, the most important traits any business that is in the business of loans need to convey is trust and stability. People need to know that they can trust these people and that they will be around for a long time. I started thinking about timeless designs and wanted to root this design on traditional design. Look at any cathedral or old houses and there are certain aspects that still remain relevant to us today. I wanted this table to be something that people generations from now will still nod their head in approval.

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    Traditional or period furniture is nice and can convey timelessness, but our tastes have changed since then and will continue changing. Contemporary design strips detail and decoration down to clean and simple lines, so I looked for the designs that best matched those principles. I found them in Regency and Federal furniture- they are simple forms with just enough detail to add character.

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    The table is made entirely of American Walnut except for the table top, which is Pau Ferro, aka Santos Rosewood or Bolivian Rosewood. For this design, most of the focus is centered to the top, so Wow factor needs to be there. I chose Pau Ferro because the color matches the walnut and the grain is just gorgeous. With the finish on there, the table just pops out at you. One principal I live by is “If you have beautiful looking wood, don’t do anything to it. Just let it do it’s thing.”

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    One other key design element is the cross rails towards the bottom of the legs. Without those, the element of repetition is lost (8 legs). I felt the legs needed to be tied in together somehow visually, but not necessarily structurally. Hence, the thin cross rails. To prevent people from kicking it and snapping the delicate rails off, I reinforced it with steel, which doubles to highlight the X shape.

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